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Re: Bad Lieutenant (1992)
Some nice perspectives here in terms of how film has to do more than be intense & tortured to achieve artistic coherence. Time doesn’t permit a more detailed response, but there are additional details that can be added to those observations which might assist in using the ideas to get a clearer sense of separation between films in the top 100 and those “on the other side.”
Will start adding any films from Bob’s list that were given a cursory placement in my post as you (or others who join in) deliver perspectives that confirm those initial judgments. Any films where there is a dispute can be handled via a parallel discussion process...