It was fairly forgettable fare. For a change, Haas was not mimicking "The Postman Always Rings Twice." This film was a low rent knock off of "The Blue Angel." A celebrated European concert pianist sees his career decline once he becomes involved with flirtatious and curvy dancer. Haas is not Emil Jannings and Moore is not Marlene Dietrich.
It was quite inconsequential and mediocre. What was most shocking is that some list this title as being film noir. Not really.