One thing of note was that our engineer, Paul Buff had actually rigged the 8 track to become a 10 track....it was the only one around...pretty cool.
We only brought in outside musicians on our third album strings and brass but we were all in the studio playing simultaneously with them.
George Tipton wrote the orchestrations and conducted. It was kinda cool and fun for us but we detested most of the songs they were used on. We did like the Carol King songs but we preferred writing our own stuff. But even those were being tampered with by bringing in outside lyricists They thought our own lyrics were too nonsensical and psychedelic.
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I forgot the question about the tape loops and speeds Did SAC ever employed the technique of speeding up and slowing tapes to attain desired tone.I know there was backwards looping on one of the Black Butter segment Previous Message
I've sent hundreds of Beatles docs about their use of backwards loops and speeding up and reducing tape speed to reach a certain desired tone.Best example is how George Martin slowed down a version of Strawberry Fields to match the key of another(You can hear the cut at exactly the one minutes mark)Alsi, session musicians were called in to do some parts of Forever Changes but Michael Stuart has said you couldn't just have some hired musicians do some tracks and it would sound as good as LOVE performing themselves because he said LOVE played with a certain hard edge while the studio musicians merely just played the notes rather uninspringly.Did you feel SAC had a certain hard edge that most studio groups couldn't have quite duplicated?
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