Titles covered/mentioned by Stradley in his essay:
FIVE MINUTES TO LIVE (1961)
CAPE FEAR (1962)
NARCOTIC (1933)
VIOLATED (!952)
JUVENILE JUNGLE (1958)
THE COOL AND THE CRAZY (1958)
REFORM SCHOOL GIRL (!957)
TEENAGE WOLFPACK (1956)
CRY-BABY KILLER (1959)
THIS REBEL BREED (1960)
LOST, LONELY AND VICIOUS (1959)
TEENAGE DOLL (1957)
TEENAGE THUNDER (1957)
HIGH SCHOOL BIG SHOT (1959)
HIGH SCHOOL CAESAR (1960)
THE YOUNG SAVAGES (1961)
SCUM OF THE EARTH (1963)
THE PRIME TIME (1958)
WILD GUITAR (1962)
THE SADIST (1963)
WHO KILLED TEDDY BEAR (1965)
RUN HOME, SLOW (1965)
LORNA (1964)
THE DEFILERS (1965)
THE PICK-UP (1968)
ZERO IN AND SCREAM (1970)
Appearing in sidebar, noted in previous posts here(*):
STARK FEAR (1962)*
FALLGUY (1962)*
THE THRILL KILLERS (1964)*
BAD GIRLS GO TO HELL (1965)
Hoping that Bob and Mark will invest some of their valuable time to consolidate their list of titles here, as a way of getting our arms around the territory again from the perspective of this slow-moving but suddenly accelerating phenomenon, with the idea that the list eventually get annotated to show the dividing line of what we're likely be able to screen for a "mainstream" audience and what is now marginalized by the various forms of political correctness that have come into being.
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