The linked essay here really should not be read until after seeing the film, at which time it will clarify some aspects of the film as revealed and discussed by director Steven Soderbergh and screenwriter Ed Solomon.
I suspect that sometime in the next five years NO SUDDEN MOVE will be paired with Edward Norton’s MOTHERLESS BROOKLYN as a double bill, a pairing that would highlight the range of approaches available for retro-post-neo at this point in time. It would make for a very satisfying night at the movies…
https://www.latimes.com/entertainment-arts/movies/story/2021-07-02/no-sudden-move-spoilers-ending-explained-hbo-max
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