Edited by Don Malcolm on 8/30/2015, 9:08 am
I doubt one could get any theatre to go for more than one weekend of this stuff, so we've "crammed" 20 (or 21, if we come up with a suitable Friday "late night" entry...somehow the number "21" seems appropriate here, doesn't it?) into four bouncy but hopefully not-un"bare"able days and nights of nakedly alienated protagonists...
For those who are still "up all night" at 7:30 am Sunday, the folks at the Roxie (if they can be arm-twisted into programming something like this...) would definitely need to serve some kind of breakfast (a donation from the ACLU, perhaps?).
Definitely creamcheese for the bagels...
Suggestions, corrections--even derision--welcomed.
HAVING A WILD WEEKEND: The Trailing Edge of Noir
Violated (1953, Walter Strate) 78m 6:00
Kiss Her Goodbye (1959, Albert Lipton) 94m 7:45
The Prime Time (1960, Herschel Gordon Lewis) 76m 9:30
Special film here for late-night?
The Sadist (1963, James Landis) 92m 2:30
Run Home, Slow (1965, Ted Brenner) 75m 4:15
Scum of the Earth (1963, Herschel Gordon Lewis) 71m 6:00, 9:15
Sin in the Suburbs (1964, Joseph W. Sarno) 90m 7:30
THE BOOTYLICIOUSLY INFAMOUS
(20 Bucks Used to Buy You Something Else...But Tonight
It Buys You A Seat Where You Can Be Up All Night!)
Olgaís Girls (1964, Joseph P. Mawra) 70m 11:00
Satanís Bed (1965, Michael Findlay) 72m 12:25
The Defilers (1965, Lee Frost) 69m 1:45
Flesh and Lace (1965, Joseph W. Sarno) 80m 3:00
Motor Psycho (1965, Russ Meyer) 74m 4:30
The Love Statue (1965, David Durston) 80m 6:00
The Thrill Killers (1964, Ray Dennis Streckler) 69m 2:30
Who Killed Teddy Bear? (1965, Joseph Cates) 94m 4:00
Agony of Love (1966, William Rotsler) 83m 6:15, 9:30
Bad Girls Go To Hell (1965, Doris Wishman) 65m 8:00
Mondo Keyhole (1966, Jack Hill) 77m 6:15
The Pickup (1968, Lee Frost) 92m 7:45
The Ultimate Degenerate (1969, Michael Findlay) 70m 9:30