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Posted by plopseee
on 9/19/2009, 10:07 am, in reply to "Re: talambuhay ni lualhati bautista "
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Lualhati Bautista
f ictionist and scriptwriter Lualhati Bautista enrolled as a student at the Lyceum of the Philippines in 1964 where she completed only a year of her journalism course. f ictionist at tagasulat ng senaryo Lualhati Bautista nakatala bilang isang mag-aaral sa Lyceum ng Pilipinas sa 1,964 kung saan siya ay natapos lamang ng isang taon ng kanyang journalism kurso. Her first screenplay was the movie Sakada (Seasonal Sugarcane Workers), 1976, co-written with Oscar Miranda, which exposed the plight of Filipino peasants. Ang kanyang unang senaryo ay ang pelikula Sakada (Pana-panahong Sugarcane Workers), 1976, co-nakasulat sa Oscar Miranda, na nakalabas na ang kalagayan ng mga Filipino magsasaka. In 1984, she wrote the screenplay for Bulaklak ng City Jail (Flower of the City Jail), based on a novel she wrote on women in prison. Noong 1984, siya wrote ang mga senaryo para sa Bulaklak ng City bilangguan (Flower ng bilangguan City), batay sa isang nobela siya wrote on kababaihan sa bilangguan. Her screenplay almost swept the awards for Best Story and Best Screenplay from the Film Academy of the Philippines, Metro Manila Film Festival, and the Philippine Movie Press Club. Ang kanyang senaryo halos swept ang parangal para sa Best Story at Best senaryo mula sa Film Academy ng Pilipinas, Metro Manila Film Festival, at ang Philippine Movie Press Club. In the 1985 Star Awards she was cited for Sex Object , which was based on her short story, "Iiyak Ka Pa Ba?" (Will You Still Cry?), delving into the attitudes of a patriarchal society towards a rape victim. Sa 1,985 Star Awards siya nabanggit para sa Sex Object, na kung saan ay batay sa kanyang maikling kuwento, "Iiyak Ka Pa Ba?" (Ay Ikaw pa rin Cry?), Delving sa attitudes ng isang makaama lipunan patungo sa isang biktima ng panggagahasa. First adapted into a teleplay directed by Lino Brocka, Sex Object was initially banned because it exposed the miscarriage of justice in the courts. Unang iniangkop sa isang teleplay itinuro sa pamamagitan ng Lino Brocka, Sex Object sa una ay pinagbawalan na ito sapagkat ito nakalabas na ang kamalian ng hustisya sa korte. In 1993, she wrote the screenplay for Maricris Sioson Story based on the life of a Filipina entertainer murdered in Japan. Sa 1993, siya wrote ang mga senaryo para sa Maricris Sioson Story batay sa buhay ng isang Filipina entertainer murdered sa Japan.
She was at one time vice-president of the Screenwriters Guild of the Philippines; is a member of the Concerned Artists of the Philippines, Children's Literature Association of the Philippines, and Women Involved in Creating Cultural Alternatives (WICCA) and is chair of Kapisanan ng mga Manunulat ng Nobelang Popular. Siya ay sa isang panahon bise-presidente ng Screenwriters Guild ng Pilipinas; ay isang miyembro ng Nababahala Artists ng Pilipinas, Children's Literature Association ng Pilipinas, at ng kaibigang Babae Involved sa Paglikha ng Cultural alternatibo (WICCA) at ang upuan ng Kapisanan ng mga Manunulat ng Nobelang Popular. She has won in the country's major literary contests including the Carlos Palanca Memorial Awards for Literature with several of her short stories and novels. Siya ay nanalo sa mga malalaking mga bansa pampanitikan Contests kasama na ang Carlos Palanca Alaala Awards para sa Literature sa ilang ng kanyang maikling kuwento at nobelang. She is also credited as the only Filipino writer anthologized in a book published in Japan, along with internationally renowned women writers such as Isabel Allende, Alice Walker, Isak Dinesen and Margaret Atwood. Siya din ang kredito bilang lamang ang manunulat Filipino anthologized sa isang libro na inilathala sa Japan, kasama ang mga matunog na pangalan internationally nagsusulat ng mga kababaihan tulad ng Isabel Allende, Alice Walker, Isak Dinesen at Margaret Atwood.