I know you've said that MCA/UNI forced some things on SAC that you weren't excactly behind wholeheartedly.Obviously for some reason,Bill Homes apparently was considered by the record company as someone who be easily led.Now,I know back in those days,some artist and tv actors got paid just for MAKING records and tv shows and never did get full royalties they received.A good example here would be the Monkees,whoo felt they were flagrantly exploited by Don Kirschner.Other than the songwriting royalties that Weitz and King were obviously swindled out of,was Bill Holmes at all a adept in the area of seeing to it that SAC reaped all it could from the "I&P" single?Was he the band's only representative or did you also have separate individual lawyers?